Logan and Sadie, WINK-FM, Ft. Myers The Mom Quiz to the College Kid

One of your main goals as a talent is to bond with the audience.  How do we do this?  By showing those parts of your life to the audience where they say you are just like them.  Humans are very tribal.  We are all in search for people just like us. It’s those common bonds where we find comfort and the best chance to connect with other people to form a relationship.  Logan and Sadie, WINK-FM, Ft. Myers, FL had a feast of content with Logan’s son going off to college for the first time.  In those conversations, Logan proved he was just like the station demo (40 year old women who were also shipping their kids off to college or could relate to the experience because they had it).  Besides telling the story and airing similar stories from fans, we also must do the content in unique ways.  Which is why Logan got his son, Gabe, on and had a mom in the building ask him questions that moms would be curious about with a kid leaving the house for college for the first time.  The execution of this content gets us four images:  how fun the show is, how relatable the talent are, how vulnerable the show can be in revealing itself, and how different we do our content.

Mark and NeanderPaul, KSLX, Phoenix How Much Do You Make?

We offered up a new Free Idea a few weeks ago called How Much Do You Make. Mark and NeanderPaul, KSLX, Phoenix were wondering on-the-air how much money the pharmacist at the grocery store makes. A listener set them straight (about $120,000). They then wondered if the grocery store manager made more than that. Curiosity is so important to drive content. The topic gets interesting to the listener when you are interested in it, too, and you explore. From this, they started a new idea called How Much Do You Make. They asked listeners to call and tell them what they did for work. Mark and Paul get to ask a few questions about their job (there’s that curiosity in play again!) and they then guessed the listener’s salary. The listener then revealed it. Despite conventional wisdom that no one would share this personal inofmration, their phones went crazy. It’s now become something the show does on occasion. It’s exceptionally vicarious because of their questions. Here are two examples of their feature. You will play along, trying to figure out the caller’s salary, which is one of the wins besides the relatable, fun content.

Karson and Kennedy, MIX 104.1, Boston My Girlfriend Was On Jeopardy

Great radio is a story-telling medium.  Let’s tell stories.  Even better, let’s tell them in the first-person.  If you have an experience, your telling it is the best route to get the most authentic details at their most emotional.  If others are included in the story (i.e. your mom, a neighbor, your pastor), invite them to play a role in telling the story, too.  Because they might have other details or a different perspective that will have fresh tension and conflict.  That will make the content more electric.  But, if you aren’t part of the story, instead of telling someone else’s narrative, ask them to tell it.  Simple, but effective storytelling here when Karson and Kennedy, MIX 104.1, Boston found out that someone they know was on Jeopardy.  Instead of them recanting it, they invited the friend to tell her story.  Always find the principles of any story and get them to share their experience.  It’ll be perceived much differently by listeners if you facilitate that and ask the obvious questions from your POC (point-of-curiosity).  Note they started with the audio from Jeopardy – smart!

Klein and Ally, KROQ, Los Angeles I’ve Got a Secret

There are two lessons to learn in this week’s audio segment.  It comes from Klein and Ally, KROQ, Los Angeles.  The big one first:  a cast member has some news to share with the team and the audience.  In the name of prep, should the room know ahead of time?  I’m asked this question on occasion and the answer is always – it depends on the room.  How much trust is there and how well does the room do with unknown moments?  Ally is pregnant and no one knew.  Not even those she does the show with.  During their weekly I’ve Got a Secret segment, where listeners call to share secrets about their lives, Ally revealed the news.  She opted to not tell anyone because she wanted to preserve their natural reaction for the audience.  She knows and trusts her teammates that much that she was confident all would be good (and it was).  The second lesson is being able to adapt to studio challenges.  While this segment is listener-driven, the show was having phone issues that morning.  The quick pivot to make it around a cast member preserves the feature.  The room was never rattled by that curve ball.  Enjoy Ally’s announcement and how she hooks both the room and audience to lean in as she reveals all.

The Josie Dye Show, Indie 88, Toronto Is America Excited?

Canada is about to open back up its borders for Americans to visit their country.  After being closed the better part of two years, we haven’t been able to go there and they haven’t been able to visit the United States.  This begs the question to The Josie Dye Show with Matt and Carlin, Indie 88, Toronto:  is America excited to be able to come back to Canada?  In the construction of any entertainment around a big topic, find the tension.  It’s the conflict that will drive any central narrative.  Think of a story you’ve been told recently – drama has driven your interest.  The rules are different in Canada for cold calls.  Josie, Matt, and Carlin decided to call America, in search of people who were actually indifferent to the fact that the borders were re-opening.  The indifference is the conflict they used to create entertainment.  Here’s a silly break which shows that construction.

Logan and Sadie, WINK-FM, Ft. Myers The Umbrella Story

Let’s gather around the campfire and talk a little bit about character development.  Often, talent think anything they talk about defines them.  There are certain criteria all of this must pass to be effective:  you have to affirm a core character trait a typical listener can identify with, you must be honest, and it must come in story-form because we are a story-telling medium.  Then there’s this:  tell me about something that is happening in your life right now.  That real life content is the most authentic.  And it will be delivered much differently.  A story from years ago is minus the emotion you felt then (it’s a story being told from your head).  A story happening now lives in technicolor because I will feel it as you tell it.  Here’s a simple story as told on Logan and Sadie, WINK-FM, Ft. Myers.  Sadie getting a new umbrella is really an open for the meat of the break, Logan talking about his kid going off to college (the topics are tied together as you will hear).  This is simple, but you will leave feeling Logan and, if you’re a parent, connecting with his exasperation because you’ve lived it, too.  Because it’s happening now.

John and Tammy, KSON, San Diego, The Bill Cosby Update

One of the required attributes to be a truly great personality is having a natural curiosity about the world around you.  An almost insatiable interest in whatever is going on in the world.  As I’ve done this work, the million-dollar players I’ve worked with have this quality.  That curiosity drives better topics.  The conventional wisdom when Bill Cosby was released from prison a few weeks ago was that morning radio should not touch it.  Why?  It’s a big topic and if you want me, as a listener, to bond to you, you’ll share your thoughts.  The day the story broke, I had my weekly call with John and Tammy, KSON, San Diego.  They were outraged this happened and had a zillion questions on how it came to be.  We leveraged their genuine interest in the topic to create a break that was relevant, interesting, and memorable by inviting on a lawyer who could answer their questions.  All because the cast wondered why.  What is your curiosity about the topics of the day?  Are you forever reading about whatever is going on, looking for angles and stimulation to activate your interest so you can bring it to the audience?  If you do, you’ll excel.

Kyle, Bryan, and Sarah, WRAL-FM, Raleigh Love Him or List Him

Want to win big with women?  Do lots of relationships content.  A new signature feature for us on Kyle, Bryan, and Sarah, WRAL-FM, Raleigh is called Love Him or List Him. Purposely playing off the HGTV show Love It or List It, this one works great as America re-opens and listeners get back to dating.  The simple thesis of this weekly feature is that a female listener comes on who’s had a date or two with a new person. The quirk is that she saw something or an odd thing happened which makes her wonder if she should continue seeing him (Love Him) or move on to the next person (List Him).  This is simple story-telling with a hook that is relatable and intriguing to other female listeners.  She comes on, lays out her challenge, and then you take calls, asking the audience what they would do in that instance.  The big win is that those calling with opinions probably have lived through it so you’ll get a lot of first-hand advice and stories.  Once you field a few calls, get that gal back on and tell her what the audience thinks she should do.  Here’s a version with a twist!

Dave and Mahoney, ALT 107.5, Las Vegas Fast Food Freak Outs

We all do well in radio using available audio of things that happen in the world.  I’ve covered on this page the value of available audio to help make your break sparkle and give listeners some context in what you’re talking about.  Dave and Mahoney, ALT 107.5, Las Vegas did something with audio that was so simple, yet so smart.  There was a video circulating a few weeks ago of a woman who went crazy at a McDonalds.  They got two other audio clips of people losing their shit at a fast food establishment.  Theming it under the banner of Fast Food Freak Outs, Dave played the audio, then gave his team three options on what fast food restaurant it happened at.  The brilliance of this move is that, as a listener, it drew me in, too.  I wanted to hear the audio so I could guess from the fast food chains he offered at the end of each clip.  There are passive breaks where the audience really has no role – you talk and they listen.  Then there are active breaks where it’s designed to get into listeners’ heads and draws them in vicariously to participate.

Karson and Kennedy, MIX 104.1, Boston Karson’s Really Bad Day

I’m regularly asked two questions:  when do you know a story should be told on the air and how long should a break go.  To the first, a story should be told if it has a central theme and lots of elements with twists and turns and unexpected moments that will keep me on the edge of my seat.  When the story defines you, makes me feel something for you, and gets me to experience some kind of emotion is when you know you might have gold.  How long should a break go?  Well, that’s like porn – I know it when I hear (see) it.  A great story with all the attributes listed above can take as much time as it needs to breath and be expressed and not a moment longer.  Here’s Karson and Kennedy, MIX 104.1, Boston with a story about Karson’s really bad day-before.  From his car breaking down on a major Boston street, to issues with the insurance company and tow truck, followed by no power in his house for several hours.  Sometimes it all goes to shit and that was what Karson dealt with.  Tell the story around the central theme and let the chemistry of the room take over for however long it needs.