Karlson and McKenzie, WZLX, Boston Scared Straight Santa
This is one of my favorite breaks ever as done by Karlson and McKenzie, WZLX, Boston. We were looking to find an edgy way to connect with the audience. The show has attitude and swagger and we wanted to channel that sense of humor into a holiday idea that would be much different than the standard fare phone topics most shows do around this time of year. Enter Scared Straight Santa. Everyone knows of the “scared straight” concept where prisoners scare kids into towing the line so they don’t end up in jail. We used that to keep misbehaving children in line for their parents or else Santa won’t show up. The first break is the call from a parent who tells us how their kid is misbehaving. The next break (the one below) is when Pete McKenzie calls back as Santa and challenges the kid to promise to be good. This hits all important images you should have: it’s fun, it’s real, it’s innovative, and it’s relatable.

This week was a debacle for Taylor Swift fans who were tormented by Ticketmaster. Tons tried, but few got tickets to see her in concert. An imperative image for any show to own is “they’re just like you”. Rooted in authenticity, one of radio’s super powers is to convince the audience that you are just like them. That intimacy (that you are real) helps the bonding process to build a strong relationship. John and Tammy, KSON, San Diego are exactly that. Which is why John tried to get Taylor tickets from Ticketmaster this week, like everyone else. The only difference? John is on the radio so he recorded his mood as he endured the long wait, eventually failing, too. To be like the audience, you must have similar experiences. Living that on-the-air helps your fans know you are just like them!
One of the challenges of a three-person show is that you have two talent of the same gender and need to focus on separating them perceptually. Such is the exercise with The Josie Dye Show with Carlin and Brent, Indie 88, Toronto. Brent’s single and Carlin is getting married is one trait that separates these two male voices to the audience. This breaks does that. We do lots of content talking about Carlin’s fiance and the stories they generate. That’s all on purpose to reach the goal of separating Carlin and Brent’s on-air personas. Carlin went to bed early one night and his fiance, Dani, went out with friends. When she got home, she woke him to boast that she’d been hit on multiple times at the bar. Carlin said that Dani still has “it”. Two things to listen for in this break – a great story that moves Carlin away from Brent’s singleness and the language used in the telling of the story to stand out. Plus, to make the break even better, Dani is included at just the right moment for an additional level of storytelling to keep the audience hooked and the energy level high.
Here’s a feature I thought would be a total dud that completely surprised me. We decided to take for a test ride How Much Do You Make on Mark and NeanderPaul, KSLX, Phoenix. A listener calls and tells you their profession. The cast then asks all the obvious follow-up questions to gather information about the person and his or her job. They then get to guess at that person’s salary. The caller then reveals it. Parade Magazine has an annual issue where they share what people in certain professions make. This is our version and we were surprised at the number of listeners who felt comfortable participating. It works because you’re getting to know a listener, delving into their life, and asking questions that make it vicarious where other listeners driving into their workplaces are trying to figure out the salary, too.