Karen, Johnny, and Intern Anthony, WNEW-FM, New York Mother or Smother Anthony
Here’s another terrific example of getting right to your substantive content on the show. Intern Anthony’s eye has hurt for a couple days. Karen, Johnny, and Intern Anthony, WNEW-FM, New York have at it big time. This is the kind of simple, very relatable content that will help you connect with the audience – how men “suffer” differently when they’re sick. Karen, who mothers the two boys on the show, had had enough. So they opened the phones to let other female listeners have at Anthony, too. They asked the audience to mother or smother him. The thing to listen for is how quickly the show gets to the substantive storytelling in this break. Within ten seconds, the topic is set and they are already talking to a caller. The energy level and playful tension remain high throughout. In many instances, we’d feel the need to ramp up the topic with a big backstory with all the details after we ID the station, give the weather, and tell everyone about the big promotion coming up. That just delays serving the true needs of the audience for content. Don’t waste listeners time! Here’s a great example of a break on a show that doesn’t.

We recently added a new character to Josie, Carlin, and Brent, Indie 88, Toronto. Brent’s character is the young, single guy who lives in a 700-square foot apartment in the heart of downtown. He has a ton of friends and spends his weekends having a good time. This is a nice contrast to the others on the show who are in longer-term relationships and more settled. We are focusing a lot of time defining Brent’s character and creating that contrast in the room. Brent recently got an interview with Fred VanFleet, who plays for the NBA’s Toronto Raptors. Besides doing the usual Q&A, Brent also asked Fred to review his online dating profile to make commentary. This is a unique way to both showcase the player’s personality and define Brent.
A great resource for your show, as you well know, is your listeners. They have stories and experiences you don’t and can help grow the entertainment quotient of your program every time you focus on them. Back when Covid and being quarantined was a thing, John and Tammy, KSON, San Diego did the very simple break asking listeners what they taught themselves while holed up at home with nothing else to do. Not enough shows take advantage of grooming their audience to being full participants in their shows. From listeners, you get great storytelling based on real life stuff. Once you tell the audience your story, pivot and always ask the listeners for theirs. They are your best resource to creating a show about the audience, which bounces back to you tenfold as once you make them a star, they’ll return the favor.
You might be shocked what listeners will share. We found out when we added the new feature How Much Do You Make on Karson and Kennedy, MIX 104.1, Boston. This one’s easy. Ask a listener to call and tell you what they do for a living. You then get to ask a bunch of questions about their job and their life. Doing so pulls listeners in so they can try to figure out that person’s yearly salary based on the answers. After a few questions, each person on the show guesses the caller’s income, then they reveal it. We came up with this idea when we saw Parade Magazine’s yearly