John and Tammy, KSON, San Diego, Bonnie Hates Aaron Rodgers
What do you do when your church going 80-year mother, a Chicago Bears fan for life, detests Aaron Rodgers and he’s hosting Jeopardy that night? You charge up your phone to get commentary about what she thinks. So did John and Tammy, KSON, San Diego weeks ago as Jeopardy continued to offer up guest hosts with the death of Alex Trebek. Bring me there. That’s the message of this post. Make me feel like I am in the room with you. John knows his mother would be opinionated and fun with topic. So the show had options: recount the story themselves, get Bonnie on the phone after-the-fact, or record her in real time as she drips with emotion. It’s option “C” every time because that’s a higher level of drama for the audience to glum on to. That she’s older and works at a church is a wonderful setup. Remember…when in the middle of emotion, record it. These work parts will help you better tell the story and you will make the audience hearing it feel like they were there with you.

A novel character development feature we have on Logan and Sadie, WINK-FM, Ft. Myers, FL each Monday is called the Relationships Report Card. We spend so much of our time in radio talking about our families. This is important to do to not only define you to the audience, but to force more real life content into the program. This is essential storytelling to create a bond with listeners and remind them that they are just like you. Add in that the most natural humor for a show comes when you’re telling the truth. The Relationships Report Card was added to define Logan to the audience. His wife comes on each Monday morning to “grade” him as a husband over the weekend. She cites things he did (or didn’t do) and assess to him a letter grade. It’s empowering to women to have that forum and she speaks for all as she playfully calls Logan out on how he was as a spouse.
Nostalgia is in and I bet you remember all those family meetings you had when you were a kid. Karson and Kennedy, MIX 104.1, Boston decided to air one. Karson’s young son, Barrett, recently called a family meeting at the dinner table to discuss a few things that were bothering him. This is awesome character development for Karson because we’re getting to know him as a dad. That’s the core of character development – am I getting to know something about you that makes you relatable to me? What’s fun about this is the interaction between Barrett and his parents. Also listen for its execution. Karson didn’t just record the table conversation and air it in its entirety. He edited it and they talked around parts of it so the team could keep their in-studio chemistry and commentary at the forefront. Great radio is doing relatable content in a unique way that allows for natural humor and humaneness. This ticks those boxes.
At the end of the day, its the display of your values as a human being on-air that listeners are drawn to. If they get the sense you are just like them, they’ll give you a fair shot at a relationship. We are all in search of “our people” (people just like us) in life. Regardless of your format, there’s great pressure to be contemporary in your content choices. Every listener, despite their age, wants to be connected to the topics of the day. Enter Mark and NeanderPaul, KSLX, Phoenix, who decided to talk about Demi Lovato on their show. Their classic rock audience might have heard of Demi, but not her music. This is a function of Demi being in the news a lot. What I want you to hear is how they talked about her in the presentation of their values. Consider how they say all of this and further, how it connects with their mostly male audience. An adult male is probably shaking their head yes at their comments (that’s connection) while being all about what is going on right now.
One filter in your prep process should be – is there audio we can play in this break that will help make it sparkle? There was a time (in the olden days!) when the only audio available came from the prep services you subscribed to. But with the internet, audio is everywhere. Breaks with the cast just talking about a TV show they watched are not as good as breaks that have audio from that TV show. This is for a few reasons: first, the audio provides much needed context for those who didn’t see the show (most of your listeners) so they understand better your comments. Second, listeners need “audio stimulation” so they don’t drift and audio inside a break provides that, helping keep their interest. So always look for audio for any topic you do. Here’s a simple, yet effective character break from Christine and Salt, WTIC-FM, Hartford. Christine got a letter from her son’s school and wondered if it was real. A local TV station confirmed it. Their use of that audio did the two critical things above, which made the break better perceptually.
Silly fun, no bits! What you want driving your program are strategic content decisions, the chemistry of the room, and your natural sense of humor. A running theme on The Josie Dye Show with Matt and Carlin, Indie 88, Toronto is that Carlin is looking to buy a house with his girlfriend. The housing market is tough and this is Carlin’s first home. The audience has been let in on all the drama so that we can define Carlin through this narrative. After months of searching, he finally found a house, which was cause for celebration on the show. Carlin is moving to a new area of Toronto, so this means we get a fresh level of the storyline. Here’s silly fun when the team decided to call businesses in Leslieville to tell them that a big celebrity (tongue-in-cheek) is moving to that side of town. No bits – listen to this strategic character content with the chemistry taking over as the calls are made. This is sticky because of the organic, natural fun they create telling the story.
Bold, aggressive characters help you put the car on the freeway and floor the vehicle immediately to 85 miles per hour. That’s what Karson’s wife, Lana, does on Karson and Kennedy, MIX 104.1, Boston, every time she’s on. Lana has a sweet southern accent (which stands out in Boston, Massachusetts and is an immediate asset in a break). But what Lana does even better when she’s introduced to the audience, is that she immediately goes on the offensive with her content. There is no ramp up to get there. The team introduces her after paraphrasing the dilemma about to be discussed, and she goes on the attack, which draws listeners in. This is a story about Lana going away for the weekend, forgetting her wedding ring, and then being hit on by two guys at the airport – great relationships stuff. Karson says there’s a double-standard at play, and Lana defends all of this. It’s fun, relatable, and self-deprecating. And because how it’s designed (the content happens immediately – listen to how much they get done in the first thirty seconds), listeners hang on for the wild ride to resolution.