Salt and Christine, WTIC-FM, Hartford You’re Full Of Shit Salt
Games work when they’re vicarious and fun. There must be an edge, but it’s critical there is a play-along factor, too. Enter Salt and Christine, WTIC-FM, Hartford with this week’s game, You’re Full of Shit, Salt. If you really look at it, so many games are trivia-based. Your win comes in how you do that trivia. What’s your frame, how do you engage callers (and passive listeners just tuning in who want to have fun), and how unique is the execution? This game fits Salt’s character on the show. He’s profane, edgy, and funny. He finds interesting trivia questions and makes up a few on his own. With three listeners on the phone, he offers them up one at a time. Whoever calls him out first on making one up wins. Of course, we bleep the word “shit” (as you will hear). But this is a fun one that listeners pay attention to because of all its unique attributes.

One of the quickest routes for character development is to give someone on a show a feature all their own. A feature, named after them, which highlights a passion or strength of theirs the audience would find entertaining. In our evolution of George, Mo, and Erik (The Morning Bullpen), KILT, Houston, we’ve done this for all three. By assigning regular features to each of our talented cast, we are accelerating their character definition and, because these benchmarks happen every day, activating an occasion from fans. One of Mo’s strengths is her passion and knowledge of country music. In Mo Knows Country, we pit her against a listener in five country-oriented questions to see who knows more. We still focus on other character development stories. But, this feature will help advance her character even more efficiently.
Are you doing a Hollywood feature? Of course you are. Everyone does. You know the audience can get whatever you’re telling them on their phones, right? The win of these features comes when you share your take on whatever story you’re talking about. What you have to say is character defining and makes it more unique. So as you put the items together for that feature every day, make sure you’re on the biggest stories that morning (of course!), but truly focused on what your opinion is on all of it. Because that’s when features like these come alive and get distinct enough to have value for your show. When the new Tom Gun Maverick movie came out, it was a story for Kyle, Bryan, and Sarah, WRAL-FM, Raleigh. Listen to how honest this is and how much more authentic the break was because they shared their feelings about Cruise.
When the plot of your show is “smart guys, stupid show”, you have all the context you need for this week’s audio. If you listen to Mark and NeanderPaul, KSLX, Phoenix, you’ll find a show deeply authentic to the two guys on it. Mark and Paul are exceptionally bright guys, but easily do the dumb stuff with a wink and a nod to the audience, saying to them that they know they’re being stupid. Show plots must be central to who is on the program. My job as a talent coach is to get to know the personalities so well that I can help them channel more of their take on the world and sense of humor on the air. Such is the case with these good guys and this feature proves that. In Weekend Preview with Jokes, they make overt attempts to be local and, because we know humor drives the show, the jokes they tell fit the plot of the program perfectly.
There is content everywhere you look – if you see it, the richness it brings your show can be immeasurable if you capitalize on it. In an off-air conversation with the midday gal, Josie, Carlin, and Brent, Indie 88, Toronto found out that she’d been in a local mall the day before and witnessed a robbery at a jewelry store. It’s excellent content as it’s a story listeners will want to hear. That it happened the day before means the emotions and details are fresh so the story will be well told. The first decision is an easy one – the team had the midday gal on so she could tell her story (they didn’t tell the story for her). All they had to do was get the details from her in conversation. Then the pivot, which is so necessary to advance the story line to keep the audience hooked. They asked for stories from listeners of when they witnessed (or were part of) a crime. Here’s the break of callers telling their stories. A bold one to grab the audience at first, then something silly at the end. Both real life, which is great content for the audience. Keep your ears open. There is content all around you. Just hear the good stuff like this and bring it to your show!