Wicker and Wilde, MIX 98.1, Richmond Finding Atlas the Dog
There’s this old adage in radio that small market stations want to sound big and big market stations want to sound small. In the latter, “small” means homey. All radio should sound personal. If you’re a person of a certain age reading this post, you’ll remember when hometown stations would let listeners get on-the-air and ask the audience for help in finding their lost dogs. That’s exactly what Wicker and Wilde, MIX 98.1, Richmond did recently. A listener lost his dog Atlas and he asked for the audience’s help in finding him. Which resulted in this narrative theme over one show where listeners called with Atlas sightings and the resolution at the end of the program where the dog and owner were reunited. So homey and touching – with anyone listening that day wondering if there was a happy ending. This is wonderfully touching radio and super local.

The origin of your breaks communicate your relevance. Using a
Here’s another example of an interview that hits the sweet spot to sell tickets and entertain the audience. As I’ve mentioned in previous posts on this page, most people who ask for interview time on a show do so for one reason – they want to sell something. Our goal is to always entertain the audience with laughter and storytelling. Listeners want to get to know the celebrity you’re talking to. Enter John and Tammy, KSON, San Diego with their conversation with country artist Jimmie Allen, who’s on to sell tickets to his upcoming show. If you’re not aware, Jimmie is African-American and very funny. John and Tammy absolutely have a game plan for this interview. But, they’re comfortable enough to let the chemistry drive it. They’re great listeners and allow Jimmie to be Jimmie. Here are two segments. After all the laughter and our getting to know Jimmie better, don’t you think they helped him sell more tickets? Which means he’ll come on the show again. Artists remember great experiences. So do listeners. This ticks all those boxes.
In the construction of your breaks and in the dissection of the stories you tell on the show, where’s the conflict? Who or what helps push your story line forward and can be the center of emotional engagement that draws listeners in? Kyle, Bryan, and Sarah, WRAL-FM, Raleigh think of this in every break they plan on the show. Sarah was due to have a girls weekend with college friends in Key West. Yet, one of the friends invited another gal Sarah doesn’t like, and even considers an “energy vampire” so she’s thinking of bailing from the get together because of it. A good story to tell for character definition because it’s honest and has conflict. The show took things one step further – after Sarah tells her story and lays out the drama for the audience to comment on, they get on the friend in question so Sarah can ask why she did that. This is “lean in content”. And because it had conflict throughout, it garnered an emotional reaction from the audience both on the phones and in social media to make it more memorable to keep the show top-of-mind and “can’t miss”. In your content breaks, where’s the bold conflict you can center things around so listeners are engaged and entertained?
One of the reasons FOX News is so powerful is because in every segment they air, there is a villain. Regardless of your politics, having a villain in some of the things you do will heighten a break’s stickiness. It doesn’t always have to be negative, but opposites create meaning. If I love The Bachelor and you hate The Bachelor, that could lead to an interesting and passionate on-air conversation that forces the audience to emotionally take a side as they identify with whichever position they hold. Karson and Kennedy, MIX 104.1, Boston have an annual project each December where they gather toys for needy kids. 5000 Toys for Girls and Boys has been a staple of the show for years. It took off this year when a villain appeared – an antagonist if you will – who was tired of everyone having their hand out for something. He called the show, voiced his unhappiness, told the show to just play more music, and even insulted a cast member at one point. What do you think happened? The feature took off and not only beat, but exceeded its goal. All thanks to the caller. That the show used the bashing to further create humor made it even more memorable.